One of the core tools in my practice is a visualisation exercise I learnt in the nineteen seventies from Jungian analyst Phyllis Krystal (Krystal 1995). It is a visual prayer that can communicate a profound sense of safety flowing from a spiritual core that remains undefined or as you like to imagine it. I apply the exercise consistently as a visual aide to picture the client-therapist relationship and how both relate to what she called the ‘Higher Consciousness’. I introduce it to almost all groups I facilitate, and frequently meditate like this on my own.
Read MoreThis professional development Art Therapy training is designed for mental health professional who wish to integrate a trauma-informed, healing-centred, bottom-up approach into their practice. Including Guided Drawing, Clay Field Therapy, Collage and Totem Making. Facilitated by Cornelia Elbrecht and The Institute for Sensorimotor Art Therapy and School for Initiatic Art.
Read MoreLemniscate is the term for a horizontal figure eight. Of all the primary shapes this is the least threatening. It is without exception experienced as positive rhythmic flow without any threat of overwhelm.
Read MoreThe spiral pattern of growth is found throughout nature as rolled-in fern, in shells on the beach, in the shape of an ear, in a fingerprint, the umbilical cord and how an embryo is curled up in the womb.
“Both the winding forms of the intestines and the brain have been depicted in religious and symbolic art as the labyrinth of spiral path, which creates, protects, and lays the foundation of the new town or centre”. (Purce 1992)
Read MoreThe largest bowl we experience in our body is the pelvis, and while there are other places in the body that can be drawn as a bowl such as the diaphragm or the back of the head, the most common association with this shape is the pelvic floor. The pelvic bowl is the space in which we settle down to relax or which we dissociate, when we are ‘upset’. It is where our spine is anchored
Read MoreAt the last weekend workshop we made “gymnast's sticks” from driftwood and branches we found in nature. Cut them to size to make handles, then decorated them with pieces of dyed cheese cloth, other fabric, and ribbons. We painted the materials, some embroidered it and carved “magic” into their sticks. Dancing with music, alone, in pairs and as a group with our sticks was not only fun, it also activated our mirror neutrons, created group synchronicity and connections.
Read MoreThis unique art therapy approach is recognized in Europe as a discipline in its own right. Over 500 Clay Field Therapists are currently practicing in numerous institutions. It is part of the curriculum in schools for disabled and disadvantaged children; it is widely used in women's shelters, refugee centers and to facilitate trauma healing.
The four workshops will look at the application of Clay Field Therapy
· Experientially
· Via videoed case histories
· Through understanding core aspects of its theoretical basis
Read MoreOver the next few months, I will share insights about a couple of the main shapes that characterize this approach but for now we shall take a more in-depth insights of the Arch. The structure of Guided Drawing is based on a number of primary shapes, which all have a universal, archetypal quality.
Read MoreImplicit memory is stored in the brainstem, which is the seat of our ancient survival system. This is the part of our brain that deals with trauma, however, it does this in a predominantly body-based way. The brainstem is strongly influenced by attraction and repulsion. It is being informed through repeated action patterns, such as learning to walk, to ride a bike, or to put a spoon into our mouth. Once we have mastered an action pattern, it becomes part of our implicit memory system and we do not ever think about it, unless someone pushes us into a pool of water when we never had learnt to swim, or an accident no longer allows us to move a limb. In the same way we do not think about breathing, making our heart beat or our muscles to contract and relax.
Read MoreThere are many different ways to approach the subject of the meaning and significance of colour. In art therapy sessions I encourage clients to honour colour in so far as to choose it according to the felt sense.
Read MoreIn February 2019 Prof Heinz Deuser came to Australia to offer a Masterclass on his Work at the Clay Field® at Claerwen Retreat. For over 20 years Prof Deuser was the course coordinator of the first BA in Art Therapy at the Kunsthochschule in Nürtingen, Germany. Today he is the director of the Institut für Gestaltbildung in Hinterzarten, Germany. Work at the Clay Field is a unique Sensorimotor Art Therapy modality Prof Deuser has developed over the past five decades.
Read More